Mau Maus and Punk Rock Riot at the Hong Kong Cafe
Fear’s Lee Ving and the Mau Mau’s Rick Wilder and the Hong Kong Cafe 12/31/80. Photo by Edward Colver.
On New Year’s Eve of 1980, the Mau Maus played main support to Fear at the last night of the first wave of shows at the Hong Kong Café. Also on the bill were the Circle Jerks and Angry Samoans, and the ensuing punk rock riot was a fitting end to a legendary run of shows at the club. Now, PBS has done an episode of Artbound featuring the Hong Kong Café and its running battle with the competing Madam Wong’s Restaurant. The following is part of the episode’s preview.
The Weirdo’s Dix Denny and Rick Wilder fight outside the Hong Kong Cafe
The shows and audiences could get chaotic, but it was all worth it to draw bigger crowds into Central Plaza. Bigger crowds meant more money spent at the bar and in the restaurant. And although it was mainly a business decision for owner Bill Hong, the Hong Kong Cafe ended up becoming hugely important to the punk scene. The blood-soaked shows were working — kids who had to be turned away at the door were scaling the roof and breaking in through the air conditioning ducts.
One person who was not a fan of the Hong Kong’s chaotic, punk-loving vibe was Esther Wong. In the beginning, Esther was actually quoted in the LA Times welcoming the competition in Chinatown, but that attitude changed very quickly. Tensions grew. On one side of the courtyard was Esther Wong and her skinny-tie-wearing new wave bands, and on the other was the Hong Kong and the punks. The LA press got wind of this tension in Chinatown and stoked the flames of the feud. The local media gave the whole clash a nickname that was probably intended to be snappy, but exposed the underlying racism lurking below the surface: the Wonton Wars.
The Mau Maus’ Nickey Beat, Rick Wilder, Scott “Chopper” Franklin, Michael Livingston at the Hong Kong Cafe, NYE 1980. Photo by Edward Colver.
Punk music in Chinatown burned bright, but it burned fast. Within a few years, the genre had evolved and by 1981 bands like the Bags, The Alley Cats, and the Dils who helped define the sound of first wave LA punk had drifted out of the scene. Punk wasn’t dying, but it *was* changing. The music was being overtaken by hardcore bands and audiences. It was faster, harder, more aggressive, and tended to bring in a very different crowd. Madame Wong’s managed to survive punk and the introduction of MTV in the early 80s, but the bottom line is that even if you were successful, there wasn’t a lot of money in running rock clubs. After a while, the hassle just wasn’t worth it anymore.
The Mau Maus of New York and California
We came across this article on owaahh.com comparing the Mau Maus of New York with the Hollywood Mau Maus. For those that don’t know the two histories, it should be an interesting read:
The image that comes to mind whenever you hear of the Mau Mau is that of Kenya’s dreadlocked freedom fighters. Not a gang of Puerto Rican thugs or even a Hollywood band, right?
In 1954, a brutal gang appeared in Fort Green, Brooklyn. The Puerto Rican gang called itself The Mau Maus, of course after the Kenyans. This was at the height of the State of Emergency and Britain was filled with headlines about a bloodthirsty savage group of ingrates who were roaming the forest and defying the perks of being subjugated by a foreign power.
Gang members: L-R Carl Cintron, Carlos Reyes, Melvin Torres & Israel Narvaez (most likely showing the middle finger)
The Mau Maus effectively died out in 1962 with the conversion of one of its main leaders, Nicky Cruz, and the arrests of others. Others moved to rival gangs, but the history of the Mau Maus as an exceptionally brutal gang remained set. Cruz had joined the gang at the age of 16; he rose through the ranks through violence and uncanny leadership, becoming Warlord of the gang only six months later. He later converted to Christianity and renounced the thug life [I had to say that, it was just opportune].
The Mau Maus was formed by breakaway members of the Apaches. They first sought permission from the established Chaplains, another gang, to set up a Puerto Rican gang in Brooklyn. The gang took the name the Mau Mau Chaplains, more commonly known as the Mau Maus. Their insignia was the crimson MM for the Mau Maus right on the breast of special sweaters made for members.
Although gangs had roamed New York before the Fifties, the Mau Maus represented a new wave of teenage gangsters who were less unbridled about brutality than their older counterparts. The gang has been termed as the most feared gang in New York between 1955 and 1958.
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There is another group, a music band, called the Mau Maus. The band was started in 1977 by Rick Wilder after the breakup of the Berlin Brats. It featured Wilder in the lead, Rich Sherman on drums, Roderick Donahue on bass and Greg Salva on guitar. The punk rock band was based in Hollywood, California. They appeared in the movies Rock n Roll High School albeit briefly, and Cocaine and Blue Eyes.
The band only has one album Scorched Earth Policies…then and now but is said to be working on the second one.
Mau Maus of Hollywood, Godzilla’s 1982
The band members changed often, but they all had a notorious reputation as trouble makers starting riots and shooting heroin. The group was, however, virtually unknown outside the LA punk rock scene because of Wilders aversion to major record labels. It fizzled out in the 1980s, although its members still play to date.
Ratchet Blade Records Offers Shipping Savings on Mau Maus CD
The Mau Maus and Ratchet Blade Records are aware of the insane International shipping charges and and have worked with their on-demand supplier to bring a cost efficient Mau Maus CD to international fans. They are offering a jewel case edition of the Scorched Earth Policies: The & Now CD, complete with a full color 2 panel insert, back cover and disc. These are shipping straight from the manufacturer so they ship separately from any other items in your order, but if you want these albums with just $6 shipping (as opposed to $17+ shipping for the regular release) this is the way to go. The CD orders also include a full digital download of the album. Get the Scorched Earth Policies: The & Now International Shipping Super Saver today! (click HERE to order).
“Formed from the ashes of legendary Los Angeles glam rock band Berlin Brats, the Mau Maus have proven to be one of punk rock’s more tenacious groups, with lineups having existed in five different decades now—and yet despite forming in 1977—prior to this CD, the only legitimate recordings one could find were two tracks featured on the second Hell Comes to Your House compilation. In an effort to both clear the vaults and make up for lost time, this features six tracks recorded in 1983 and produced by Doors guitarist Robbie Krieger (who also lays down a barnburner solo on one track), plus eight tracks of more recent vintage that meld fairly seamlessly with the earlier tunes, making this the definitive showcase for this band’s take on punk rock: one part Dolls, one part Stones, mix in a whole lotta attitude ‘n’ hostility and set the whole fuckin’ thing ablaze. An all-around swell collection complete with extensive liner notes, pics, and some of the finest punk rockin’ you’re likely ever gonna come across.”
Mau Maus LP & CD eBay Bundle
Ratchet Blade Records has put up a killer deal on a Mau Maus Lp and Cd ebay bundle, to get both the Mau Maus lp and cd (w/ a 20 page full color booklet on the Mau Maus notorious history) and 3 free fliers from the collection of lead singer Rick Wilder for one low price. Take advantage now and get this vital piece of Los Angeles punk rock history. Click HERE to check it out.
Here is an excerpt from the CD booklet biography:
“The Mau Maus have a reputation as one of the baddest of Hollywood’s bad-boy bands- and it’s no hype. Leader Rick Wilder, a local underground legend sings (and looks) like a Mick Jagger-Johnny Rotten clone created by some mad punk scientist. And like the New York Dolls (another Mau Maus influence), the band has a reputation for showing up in dubious playing condition, arriving late on stage and sometimes falling apart during it’s sets.
So it came as no surprise that the quartet, headlining a four-band bill at the Cathay De Grande Tuesday, had to wait on stage about 15 minutes before Wilder appeared. But once the band unleashed its classic raunch ‘n’ roll, the only question about the Mau Maus was why it isn’t a bigger success.” Craig Lee, Los Angeles Times 1/20/1983
Why indeed. The Mau Maus were the most notorious of the original 1970’s Hollywood punk rock bands, and there was no shortage of praise for their hellacious sound & fury. But they were also the band that had a street hustler’s stubborn suspicion of every opportunity, not looking but kicking the gift horse in the mouth, thus resisting management, agents and even record labels. And they rode that fuck-‘em-all locomotive right off the tracks and into the woods.
Volatile as a den of thieves, with members being fired and rehired at the blink of a bloodshot eye, you never knew if they would show up, but goddamn it, you knew when they showed up.
Rick Wilder on Mike Watt Radio Show
Rick Wilder appeared on the Watt From Pedro Radio Show, the podcast of Mike Watt from the Minutemen, as well as the Iggy and the Stooges. Click HERE to listen to the interview.
PROGRAM NOTES:
Mike Watt (solo artist, Minutemen, fIREHOSE, Iggy Pop and The Stooges) playing some tunes and doing some spiel. Assisted by brother matt and coming to you from the wild kingdom at the pleasure point, in San Pedro California! TWFPS www.twfps.com
hour one: “abide with me” john coltrane w/thelonious monk “re-pulsion” kyoka (w/mike watt on bass) “all fall down” (live on target video) Rick Wilder mau maus “the street is my home” berlin brats “ticking beat” sandra vu “who tattled told?” sock-tight “houdini” cuz “good complexion” tobacco “sacando pecho y brazo” victor jara “inside looking out” omega is the alpha “tropically hot” berlin brats hour two: “(I’m) psychotic” berlin brats “talkin’ about my neighbors” san pedro slim “mujer metralleta” familea miranda “utsu” hobocombo “sun” in zaire “as they swim” tom gallo “objectivication” (live) peer group “peel the sticker off the apple” jee jee band “war baby” mau maus “clear the runway” wharton tiers ensemble “hang on” the gears “cannibalism is the future” toepunt “buddha’s hair” devin flynn hour three: “roadhouse blues” (live) mau maus w/robbie krieger “impaired nominee” scarcity of tanks “father’s day” (live) bob schriner “people” rewild “the manual” 208 talks of angels “blooms & blossoms” freescha “mechanical mammoth” mystical weapons
Mau Maus Interview and Edward Colver Photos
Here’s a historic Mau Maus radio interview with the 1982 line up (Rick Wilder, Scott “Chopper” Franklin, Mike Livingston and Paul Mars Black) along with some unreleased Mau Maus Edward Colver photos . The interview was conducted by Austin DJ Stig Stench for Stench Radio:
Edward Colver is an American photographer, best known for his early punk photographs. Colver not only created a visual document of the birth of the hardcore punk in suburban Southern California from late 1978 to mid-1984, but also he greatly helped in defining the photography style and graphic identity of the American hardcore punk movement.
Mau Maus 1983 (all photos by Edward Colver)
His early work is an authentic self-portrait of the Southern California hardcore punk scene in its golden years. His work was featured extensively in the book American Hardcore: A Tribal History (2001), written by Steven Blush, and in its documentary film version, American Hardcore (2006), directed by Paul Rachman.
Scott “Chopper” Franklin
Essentially a self-taught photographer, Colver had a brief formal training during night classes at University of California, Los Angeles, where he studied beginning photography with Eileen Cowin. Largely influenced by Dada and Surrealism, Colver was most impressed in his early years by the art of Southern Californian native Edward Kienholz. In the late 1960s, Edward’s perspective on life and art was changed by his exposure to composers such as Edgar Varèse, Karlheinz Stockhausen, Krzysztof Penderecki and John Cage.
Three months after he began taking photographs, Colver had his first photograph published: an image of performance artist Johanna Went, featured in BAM magazine. Since then he has shot photographs for dozens of record labels including EMI, Capitol and Geffen. His pictures have been featured on more than 500 album covers and include some of the most recognizable and iconic covers of the punk era.
Dive Bar at the Brixton Show Cancelled
Due to construction problems at the venue, the July 20th show at the Dive Bar in Redondo Beach has been cancelled and will be rescheduled for September. Check back for more updates, as additional shows will be added for the July West Coast tour.
The Mau Maus Live on Stench radio
The Mau Maus will be interviewed by Stig Stench of Stench Radio tonight, the show is out of Austin Texas but you can listen by clicking the link below:
